Author: isla gagalac

  • Ang kwentong malansa ni Aling Isda

    Ang kwentong malansa ni Aling Isda

    Ang hindi magmahal sa kanyang salita / mahigit sa hayop at malansang isda.

    Sa Aking Mga Kabata, 1868

    The famous quote, often attributed to Jose Rizal, recently washed back up on the shore of my thoughts like a floundering aquatic creature. It’s a memorable line, and frankly not a good one – though, as a schoolchild, criticizing the national hero’s pen (even at age 8!) was never something you did.

    Yet Rizal probably never wrote that poem, and likely would never have agreed with its sentiment either. In 2011, Ambeth Ocampo pointed out Sa Aking Mga Kabata‘s dubious provenance – there is no evidence in Rizal’s handwriting and it contains a Tagalog word that Rizal did not know until he was 21, thirteen years after the poem was supposedly written. Plus, all of Rizal’s documented poems are in Spanish, and Rizal did struggle (and ultimately fail) to write his novels in Tagalog [1] [2] – far from the self-righteous champion of his native language that whoever wrote that poem would have us believe. 

    Knowing this, were we being shamed during Agosto: Buwan ng Wika with this puerile half-stanza written by, historically speaking, a rando? (Ambeth reckons it was Herminigildo Cruz or Gabriel Beato Francisco.) I hope these days, no schoolchild needs to suffer being told that the ghost of the supposedly greatest Filipino who ever lived would call them worse than an animal or a reeking fish (as if these were lesser beings and there’s any sense to that analogy, but I digress). 


    I didn’t expect to find out that me and Dr. Rizal are in the same boat in this sense. But I feel like I share in his struggle, in his aspiration, and in his maybe tiny bit of shame: writing in our native language, Tagalog, is hard.

    I’m a Filipino, born in Manila from a Bulaceño father and Manileña mother with roots in Quezon. I lived all my first 25 years in Quezon City. Both my parents are Tagalog speakers with just a bit of English, and my uncles and aunts are the same. No one in my preceding generation (as far as I know) was particularly literary, but they were 100% Tagalogs. So why did my literary tendencies end up manifesting in English, my second language that I didn’t have any learning exposure to until I was 5 years old? 

    Tagalog had, and still has, its meaning for me as a language of small talk, of practical daily matters and of household affairs, of all my most heart- and gut-felt emotions. It was my first language at home. When I began my formal education, though, English took over as the language for technical concepts and creative expression. In nearly three decades of life, I’ve written hundreds of pages in English and read thousands more (some through compulsion, a lot for fun). But I’ve maybe only wrote a couple dozen pages in Tagalog ever. With a high school diploma and one and a half university degrees from the Philippines, I was tragically able to get away with that.

    There is one direct cause that occurs to me, from my borderline millennial / Gen Z perspective: there was hardly any popular literature for young adults in Tagalog when I was growing up. There seemed to be barren literary wasteland stretching between Lola Basyang storybooks and the occasional raunchy Bob Ong novel in the 2000s. I suppose what few options we had, that you could sometimes find in the bookstore though never in the library, were a handful of republished Wattpad romances. (Extremely unfamiliar territory for me, by the way.)

    As there are so few accessible options to read in Tagalog for fun, to read and write in Tagalog for serious analysis feels like an overcomplicated drag that involves too much disruptive reaching for the dictionary. To me, it is a gut-language that love songs or heartbreak poetry or incendiary political raps can be written in. But to be able to think analytically in Tagalog, or to write beautiful long-form works in it, is such a rare skill. It’s so singular and seemingly so impractical in the life I lead now, that I don’t know if I could develop it or if I’d even want to. 

    There’s something in me that still wants to try. Watch this space, and let’s see what we fishy fishes can cook up.

    love, your aling isda


    References

    [1] Ocampo, Ambeth. “Did young Rizal really write a poem for children?” Philippine Daily Inquirer. August 22, 2011. https://newsinfo.inquirer.net/45479/did-young-rizal-really-write-poem-for-children

    [2] Morrow, Paul. “The poem that Rizal did not write.” Pilipino Express. August 16, 2015. https://www.pilipino-express.com/history-a-culture/in-other-words/3050-the-poem-that-rizal-did-not-write.html

  • Buggy ethics, part 2: Arthropod agency

    Buggy ethics, part 2: Arthropod agency

    This post is the second of a two-part series “Buggy ethics,” wherein I explore ethics, morality, and the insect-human eco-cultural relationship. This second part features an essay I worked on in July 2023 for an environmental philosophy elective, lightly edited for style. In light of recent advancements in insect legal rights, I hope this essay is able to contribute to the ways humans think about and integrate insects (and other non-human subjects) into a more inclusive moral ecology.

    Without further ado, here it is:


    A narrative ethical approach to insect ethics

    We can no longer afford to think about ethics in separation from insects, and the big and small edges of sentience they evoke.

    Stephen Loo and Undine Sellbach1

    Not too long ago, I worked in a laboratory studying the social organization of fire ants. Every day, it was something of a heart-pounding thrill to take a colony out of storage and see the thick teeming mass of superorganism, the black quivering static of hundreds of thousands of ants jostling for a drop of honey water. 

    To me, insects were the perfect subject of biological curiosity: compact creatures that are simple but not too simple, easy to care for, different and seemingly indifferent enough that my squeamish self didn’t feel guilt in raising them in a cage to harvest their offspring. (I had only once let myself see a pregnant lab mouse get euthanized before I decided that kind of subject wasn’t for me.)

    I’ve been interested in the ways that humans think about insects for a long time now. There is something I’ve found dissatisfying about the mainstream ethical discourse on insects. It is not as simple as myself being against killing or experimenting on bugs (which is, in a lot of cases, not true); it just seems that insects remain an afterthought in Western environmental philosophies overall. This is despite their being the overwhelmingly dominant animal life form on earth and among the most threatened by anthropogenic environmental change. As Danielle Sands insists, confronting our ethical relationship with insects will be crucial to “help us find a pathway through the maze of our representations and facilitate new approaches to current environmental problems.”2 Insects, by providing unique perspectives on scale, environmental boundaries, and perception under global change, “are revelatory of our Anthropocene condition.”2 Insects thus present a vital study and challenge for modern environmental ethics.

    In this essay, I describe the trouble of incorporating insects into mainstream Western ethical methodologies. The first section explores insects in the context of animal rights theory, and the second section attempts to locate insect ethics within empathetic entanglement. In the third and final section, I introduce a synthesis of rational and relational approaches in the form of Val Plumwood’s intentional recognition stance towards the more-than-human world. I argue that insect intentionality provides us with the best route towards the recognition of insects as both narrative agents and ethical subjects.


    I.

    It may come as little surprise that there are no ethical standards for the treatment of insects in scientific research or husbandry, while such protections exist for vertebrates in most parts of the world.3 It is not a popular stance to advocate for insect rights, even among animal rights thinkers. This is in spite of well-reasoned and internally consistent arguments that existed over three decades ago, such as the one positioned by entomologist Jeffrey Lockwood, who advocated for better rearing conditions for insects as well as the use of anesthetics prior to dissection:

    Considerable empirical evidence supports the assertion that insects feel pain and are conscious or aware of their sensations… We ought to refrain from actions which may be reasonably expected to kill or cause nontrivial pain in insects when avoiding these actions has no, or only trivial, costs to our own welfare.4

    There have been large strides in the understanding of insect consciousness in the years since, but almost no progress in the elaboration of insect rights in animal rights theory. Peter Singer, while referencing a landmark 2016 study that the insect brain shows the capacity for subjective experience (and therefore consciousness), nevertheless concludes:

    We still do not know enough about insect subjective experiences to [launch a campaign for insect rights]; and, in any case, the world is far from being ready to take such a campaign seriously. We need first to complete the extension of serious consideration to the interests of vertebrate animals, about whose capacity for suffering there is much less doubt.5

    Lockwood, who drew heavily upon Singer’s own work to develop his argument for insect rights, would be astonished by Singer’s statement in light of the greater evidence we have today for insect sentience. It is unclear at which point it would become an unacceptable risk for Singer to keep condoning the vicious way that the majority of humans presently treat insects. Donaldson and Kymlicka, meanwhile, also admit the possibility of insects possessing sentience, but ultimately skim over this “gray area” to focus on asserting the rights of cows, chickens, rats, and monkeys, which are common (vertebrate) livestock and laboratory animals. To rationalize their de-emphasis of invertebrates such as molluscs and insects, the authors make the interesting proclamation that “the types of animals that are most cruelly abused are precisely those whose consciousness is least in doubt.”6 

    Donaldson and Kymlicka are insisting that it is primarily non-human vertebrates that human beings harm, but of course this statement is untrue. Over one quadrillion insects are killed each year by agricultural pesticides alone (many being untargeted butterflies, bees, and aquatic insects). Countless flies and cockroaches in human dwellings meet their unceremonious end under the sole of a shoe or with a spurt of bug spray. Insects are massively farmed as well, for silk, dye, and increasingly for food.7 And of course, great numbers of insects are reared, experimented on, and killed in laboratories around the world, from the favored genetic model organism Drosophila to colonies of fire ants. Plenty of these deaths are chemically induced and likely unpleasant, and a huge number of these killings are not necessary for human welfare. That Donaldson and Kymlicka overlooked this is perhaps because, since insect consciousness is in doubt (though this is an increasingly weak position to take), it cannot be established that they are being cruelly abused. This is a type of circular reasoning that seems prevalent in animal rights theory when it comes to insects, and thus it appears that trying to elucidate an insect ethics with a rights-based methodology has run us into a ceiling.

    Lockwood made his case well on paper, but there was and still clearly is an issue with preaching moral obligations to insects to groups of people for whom swatting flies, crushing roaches, and trapping ants have been part of everyday life since childhood. Animal rights theory can be the basis of rational arguments for insects as ethical subjects, but the unwillingness to carry the discourse to its logical conclusion points to a deeper issue that this methodology cannot address. 

    The issue is this: most humans simply have an aversion towards most insects. Most people will not go out of their way to protect an insect, and even those who do would probably understand why others don’t. Giovanni Aloi draws our attention to the expression “wouldn’t harm a fly,” noting that the harming of flies is “the easiest and most commonplace sign of violence one could commit, at once irrelevant and normalized by cultural habits.”8 Aloi takes it as a telling example that the animal rights organization PETA stopped short of denouncing the televised and prominently news-covered killing of a fly by American president Barack Obama.9 Championing the rights of insects seems to be pragmatically indefensible, even for some of the most well-known radical animal rights activists. 


    II.

    Is there a way for us to strip away the reliance on the abstract concept of “sentience” to inform animal ethics? One methodology sought to do just that, emerging as a critical alternative to the rights-based approach and adapting concepts from (eco)feminism and care ethics. This ethical approach is based on the ontology of entanglement, or the embeddedness of humans in relationships with one another as well as with nature. It views ethics in terms of embodied relations among beings rather than individual identities and it stresses the role of empathy and attention to other beings in ethical behavior.10 With such an approach, we seemingly are in a better position to directly address the issue of current human relations towards insects. 

    Lori Gruen, one of the major proponents of entanglement ethics, has written about the importance of empathy in this relations-based ontology. She outlines an approach of “entangled empathy,” defined as:

    A type of caring perception focused on attending to another’s experience of wellbeing. An experiential process involving a blend of emotion and cognition in which we recognize we are in relationships with others and are called upon to be responsive and responsible in these relationships, by attending to another’s needs, and interests, desires, vulnerabilities, hopes and sensitivities.11

    Empathy requires a differentiation between the self and the other, as well as “imaginative perspective-taking” that allows one to participate in the experience of the other’s suffering12, thus compelling one to recognize and resist injustice towards others (which can be animals as well as human beings). It is reminiscent of Cora Diamond’s proposal to view animals as “fellow creatures;” not as biological entities that do or do not possess certain abstract qualities, but as companions in existence with whom a relationship, a kind of kinship, is recognized to exist.13 This way of thinking is attractive in that it presents a potential way to redress anthropogenic environmental degradation. After all, the subjugation of animals, plants, places, and ecosystems can be convincingly traced to modes of thinking that create a dualism between beings that matter morally and beings that do not (and therefore a hierarchy where human sovereignty trumps all other concerns).

    The place of insects in this relational ethics discussion, however, seems to be as ambiguous as before. Insects’ small size, tendency to swarm in huge numbers, “utterly alien” morphology, and indifference to human presence and structures mark a major difference from other animals14, and inspiring affective responses ranging from awe at delicate, beautiful butterflies (at one extreme) to revulsion for the strange appearance and seeming invulnerability of flies and cockroaches (at the other, more recognizable extreme).15 Overall it is the latter emotion that predominates, and seems to render insects ethically inconsequential, if not as a despised enemy. Sands observes “the striking velocity of disgust… poses a significant challenge to one’s investment in such kinship [with insects].”16 Elias Canetti meaningfully describes one view of the insect under the contemporary Western human gaze – that of extreme insignificance as to be beneath notice: “You are an insect. You mean nothing to me. I can do what I like with you and that won’t mean anything to me either … You can be destroyed with impunity without anyone noticing.”17 Gruen summarizes the difficulty of practicing entangled empathy with the insect world:

    My connection to [insects] remains thin. I am not moved to act for their sakes if there are other conflicting values in play. I won’t harm them and will try to move them to safety insofar as I understand where that might be, but I can’t say I am acting from empathy when I do so… It isn’t possible to be in empathetic relation to ecosystems or organisms that exist in ways that I can’t imagine, beyond metaphor or projection, what it is like to be like.18

    This normalized, implicitly vicious attitude towards insects coupled with the difficulty of imagining insect perspectives explains the general reluctance in Western philosophy to recognize insect sentience or ethical value. Diamond touches upon the devalued category of animal: the “vermin” (pests which are either insects, or insect-like in numbers and persistence) for which the mercy that would be felt for a fellow creature does not apply.19 And indeed, observing the mass death of insects, vermin and benign alike, with our nonspecific chemical pesticides inspires little remorse. The practice may be increasingly curbed only by recognition of the economic losses from the decline in pollination, natural pest control, and biodiversity that insects support, and not by what it means to harm the insects themselves. It is here that insects once more seem to confound integration into environmental ethics. 


    III.

    I sit under a tree, and feel alone: I think of certain insects around me as magnified by the microscope: creatures like elephants, flying dragons, etc. And I feel I am by no means alone.

    Thomas Hardy20

    The minute world of insects is transfigured by the power of imagination that cancels dichotomic stances, thus placing men and the invertebrates in a state of intimate and mutual dependence. 

    Emanuela Ettorre21

    After exposing the conundrum that insects continue to pose in Western environmental philosophy, I now proceed to the crux of my argument. The shortcomings of our previous approaches were evidently due to searching for similarities with a human center, whether by abstract criteria such as consciousness (for the rights-based approach) or by relatedness in appearance and behavior which evoke empathy (for the entanglement approach). It is clear that these methods relying on sameness or relatedness will not suffice for the extreme “Other other” represented by insects.22 What way is there for us to move forward with an insect ethic that does not stumble on these anthropocentric hurdles?

    Searching for a solution in the face of hyper-rational moral dualisms as well as potentially “unanalyzed and capricious” empathy when viewing earth others, Val Plumwood proposed the philosophical stance of intentional recognition for non-human minds:

    Adopting the intentional recognition stance is one of a number of counter-hegemonic practices of openness and recognition able to make us aware of agentic and dialogical potentialities of earth others that are closed off to us in the reductive model that strips intentional qualities from out of nature and hands them back to us as ‘our projections’.23

    Plumwood argues that intentional description – involving the recognition of agency in nature and that of the earth other as “originator of projects that demand our respect”24 – is crucial to allow negotiation and mutual adjustment to the more-than-human world. The stance of recognizing intentionality, for Plumwood, allows for natural beings to be conceived as narrative and ethical subjects. She reminds us that intentionality can provide humans with the foundation for respecting non-human minds as well as understanding our own selves:

    Some of the minds we encounter are able to tell us basic ecological things long forgotten or grown oddly unfamiliar… They include those of canny animals who gaze back, size you up and tell you who you are – a dangerous predator! – and where you get off. To stay alive and reproduce they have to – and to all but the most reduction-blinded observer patently do – think ahead, try to outsmart you, work out how to escape your reach…25

    While Plumwood does not directly explore the intentionality of insects to conceptualize them as ethical subjects, her framework does provide us with better ground to stand on. The intentional recognition stance is evidently readily applicable to insects, though this strategy depends on embracing an “older, more inclusive way” of thinking.26 In our case, this takes the form of the childlike activity of taking real notice of the behavior insects engage in – digging burrows, flitting among pools of water, buzzing around our computer screen in the evenings. Through this simple act, we can become cognizant and respectful of insect agency to influence their worlds, even as it often does not directly relate to us (but sometimes also does in major ways).

    I can speak for myself that spending time observing insects in my adult life had inadvertently increased my intentional recognition of them. A fire ant once escaped the confines of its Petri dish and quested up my bare arm, antennae flicking to and fro like a tiny orange flame, wholly indifferent to the tension in the limb fearing its painful sting. Quite clearly, I saw myself as the terrain for its enterprising search for a way back to the colony, a hundred meters down the hall that suddenly exploded in my mind as the length of a planet away. When a few worker ants were dropped on a dish containing the queen, they immediately surrounded their large mother and caressed her with their antennae and forelegs, “keeping her calm,” as my lab mentor fondly told me while we waited for her to lay eggs for our experiment. These creatures had their own clear intentions and agency, in which I or any human was too inconceivably large and long-lived to be anything but the landscape.

    Fire ants, of course, are fearsome invasive insects in the wild and mostly not benign curiosities in a controlled environment like in my example. It remains clear that recognizing the unique intentionality of these insects and many others creates a kind of fundamental respect that will allow us to “stay with the trouble” (to borrow a term from Haraway) of what it means to exploit and kill them. It will grant us a greater understanding of when it is necessary and by what means, and what is at stake by resorting to these means.

    There is a kind of narrative flourish needed to evoke and understand the intentionality of the more-than-human world. I maintain that this is not a weakness of the approach, but rather an imaginative strength that maximizes our sensitivity to all beings, even those such as insects, which usually fall beyond the direct considerations of animal ethics. I will conclude this paper by providing a brief example of what this might mean in practice, to develop the insect as an intertwined narrative and ethical subject.

    The English novelist Thomas Hardy has been noted for the “humane and sensitive” fascination with the natural world in his prose, particularly insects, which he positions as transient yet recurrent companions in the lives of his characters.27 In his novel The Return of the Native, there is a scene where the protagonist Clym works at chopping furze and perceives his company in a vast array of buzzing, fluttering, and creeping insects:

    [Clym’s] daily life was of a curious microscopic sort, his whole world being limited to a circuit of a few feet from his person. His familiars were creeping and winged things, and they seemed to enroll him in their band. Bees hummed around his ears with an intimate air, and tugged at the heath and furze-flowers at his side… Tribes of emerald-green grasshoppers leaped over his feet, falling awkwardly on their backs, heads, or hips, like unskilful acrobats, as chance might rule… Huge flies, ignorant of larders and wire-netting, and quite in a savage state, buzzed about him without knowing that he was a man. …None of them feared him.28

    Hardy is able to convey a narrative agency in his insects’ indifferent yet recurring engagement with human characters. As Plumwood earlier illustrated the intentionality of canny animals which respond to our presence in ways that remind us that we are predators, insects also display an intentionality which upsets our sense of hierarchy and is a reminder of our own lack of superiority and fleeting existence in the grand scheme of the universe. Emanuela Ettorre writes that Hardy’s insect narrative can help to “destabilize the predominant viewpoint from which reality can be perceived and represented.”29 Ettorre finally concludes on insects as a narrative subject:

    If even insects…are neither slaves of their body nor passive victims of senescence, it means that the only way to look at human life and old age that consumes and mars, is through the somehow ‘liberating’ viewpoint of the grotesque.30

    By engaging in the description of insects as intentional agents, I hope I have shown that we will be able to foster and maintain the recognition of insect intentionality, and create a much-needed space for insects in ethical consideration.


    References

    1. Loo, Stephen, and Undine Sellbach. In “Insect Affects: The Big and Small of the Entomological Imagination in Childhood.” Angelaki 20, no. 3 (July 3, 2015), 10. https://doi.org/10.1080/0969725X.2015.1065125
    2. Sands, Danielle. “Insect Ethics and Aesthetics: ‘Their Blood Does Not Stain Our Hands.’” In Animal Writing, by Danielle Sands, 154–79. (Edinburgh University Press, 2019). https://doi.org/10.3366/edinburgh/9781474439039.003.0006.
    3. Freelance, Christopher B. “To Regulate or Not to Regulate? The Future of Animal Ethics in Experimental Research with Insects.” Science and Engineering Ethics 25, no. 5 (October 2019): 1339–55. https://doi.org/10.1007/s11948-018-0066-9.
    4. Lockwood, Jeffrey A. “The Moral Standing of Insects and the Ethics of Extinction.” The Florida Entomologist 70, no. 1 (March 1987), 83. https://doi.org/10.2307/3495093.
    5. Singer, Peter. “Are Insects Conscious?” Project Syndicate. May 12, 2016. https://www.project-syndicate.org/commentary/are-insects-conscious-by-peter-singer-2016-05
    6. Donaldson, Sue, and Will Kymlicka. Zoopolis: A Political Theory of Animal Rights. Oxford: Oxford University Press, 2011, 31. 
    7. Sebo, Jeff and Jason Schukraft. “Don’t farm bugs.” Aeon. July 27, 2021. https://aeon.co/essays/on-the-torment-of-insect-minds-and-our-moral-duty-not-to-farm-them
    8. Aloi, Giovanni. Art and Animals. (Bloomsbury Academic, 2012), 116.
    9. Aloi, Art and Animals, 116-117.
    10. Sands, Danielle. “Introduction: Ten Statements about Empathy and Animal Studies.” In Animal Writing, 1–34. Edinburgh University Press, 2019. https://doi.org/10.1515/9781474439053-004.
    11. Gruen, Lori. Entangled Empathy: An Alternative Ethic for Our Relationships with Animals. (Lantern Books, 2015), 3.
    12. Sands, “Introduction,” 3.
    13. Diamond, Cora. “Eating Meat and Eating People.” Philosophy 53, no. 206 (1978): 465–79.
    14. Sands, “Insect Ethics and Aesthetics.”
    15. Sands, “Insect Ethics and Aesthetics.”
    16. Sands, “Insect Ethics and Aesthetics,” 155.
    17. Canetti, Elias. Crowds and Power. (Farrar, Straus and Giroux, 1984), 205.
    18. Gruen, Entangled Empathy, 68.
    19. Diamond, “Eating Meat and Eating People.”
    20. Hardy, Thomas. The Life and Work of Thomas Hardy. Edited by Michael Millgate. (London: Palgrave Macmillan UK, 1984), 110. https://doi.org/10.1007/978-1-349-10117-7.
    21. Sands, “Insect Ethics and Aesthetics,” 157.
    22. Plumwood, Val. Environmental Culture: The Ecological Crisis of Reason. (Routledge, 2005), 177. https://doi.org/10.4324/9780203996430.
    23. Plumwood, Environmental Culture, 177-178.
    24. Plumwood, Environmental Culture, 178.
    25. Plumwood, Environmental Culture, 176.
    26. Ettorre, Emanuela. “‘Ephemeral & Happy’: Thomas Hardy and the Crowded World of Insects.” The Hardy Society Journal 13, no. 2 (2017): 19–31.
    27. Hardy, Thomas. The Return of the Native, ed. Phillip Mallett (London: Norton, 2006), 211. 
    28. Ettorre, “Ephemeral & Happy,” 24.
    29. Ettorre, “Ephemeral & Happy,” 28.
  • Buggy ethics, part 1: The first win for insect rights?

    Buggy ethics, part 1: The first win for insect rights?

    For the first time in the world, in Provincia de Satipo, Perú, a group of insects have been declared subjects of legal rights by a local government. In October 2025, Amazonian stingless bees within the Avireri-Vraem Biosphere Reserve were granted explicit legal rights to exist, to maintain healthy populations in their natural habitats, to not be harmed by human activities, and to be defended and represented in court if their rights are violated [1]

    A stingless bee (tribe Meliponini). Photo by Alan Mason (CC-BY 4.0) via Wikimedia Commons.

    Stingless bees (or meliponines) are not a particular bee species, but a “tribe” consisting of hundreds of species distributed widely in the tropics and subtropics. Like the stinged honey bee, they are eusocial honey-producing insects and form colonies with a single queen bee, large numbers of female workers, and a handful of male drones. They defend their colonies by biting and secreting sticky resin on intruders, which can rapidly overwhelm predators like ants, wasps, and beetles [2]. The ability to quickly turn intruders into tasteful decorative fossils ensures that the lack of a stinger is not at all a problem for these bees.

    A stingless bee hive coated with resin droplets. A few ants, while  trying to get at the honey and larvae inside the nest, met their end covered in the sticky quick-drying substance. Photo by Héctor Morales Urbina via MDPI (CC-BY 4.0).

    Meanwhile, stingless bees are mostly docile towards humans, and some (not all) colonies will even allow humans to cut their nests open without so much as a heightened buzzing [3]. They are so gentle that beekeepers in parts of South America apparently refer to them as angelitas [1]. Accordingly, meliponines have been cultured by indigenous groups in parts of South America, Africa, Asia, and Australia for millennia [2]. More than honeybees, stingless bees can boast an impressive résumé for tameness on top of their value as artisans of honey and wax, and as hugely prolific pollinators in the tropics.

    If you think about it, though: When has that ever been the core argument that any subject should have rights? Does a creature earn the right to exist and be unharmed, because the creature is directly materially helpful to humans in an inoffensive way? When legal rights are granted to, say, sea turtles to not be harmed or killed by plastic pollution, is the reasoning the same? (That last question is a rhetorical one.) Why is it not?


    I’ve poured quite some thought into insect ethics, partly because there was plenty of time to ponder esoterica while I was staring down a stereomicroscope to count mosquito eggs back in my old lab. There was a point when I stopped being satisfied doing molecular tricks to find out what little strings of nucleotides told insect eggs when to hatch. I began to reflect on the fact that I had chosen to work in an insect and bacteria lab rather than a mouse lab, mainly because I thought it was just horrible to be killing mice by the hundreds in pursuit of a piece of gilded paper. To do the same to insects was a lot easier on my nerves. But why? I carried that question on, long after I burnt out of the molecular genetics field.

    It was when I changed graduate programs years later that I finally had the chance to work out an answer. I was able to take an environmental philosophy elective – my favorite class I’ve ever taken in my life and a major inspiration to start Ecolalia. With the hearty encouragement of my superb professor, I wrote my final essay on insect ethics, which I enjoyed so much and spent so much time on that I very nearly didn’t make the deadline for my actual master’s thesis. (Once again, I have to wonder if I missed out on my true academic calling, but there’s also something to be said about not mixing your fondest passions and your career.)

    In the essay written in 2023, I discussed how insects are viewed in different Western ethical methodologies and how most of them inherently fail to encompass insects as ethical subjects,  concluding with an example of what I see as the best methodology to embrace insects as such. I mentioned (and criticized) the rights-based approach to insect ethics. Back then, there was not even a hint of legal protections for any insects in the world, and even now there still isn’t for insects in scientific research or husbandry (as there are for vertebrates), so there’s clearly still room for improvement there.

    The world-first granting of legal rights to insects in the Peruvian Amazon has inspired me to revisit this insect ethics essay and share it here on the blog. You can find my essay on bug ethics linked here.


    References

    [1] Tomassoni, Teresa. “Defending Stingless Bees in the Peruvian Amazon.” Inside Climate News. October 22, 2025. https://insideclimatenews.org/news/22102025/peru-amazon-stingless-bees-rights/ 

    [2] Shanahan, Maggie and Marla Spivak. “Resin Use by Stingless Bees: A Review.” Insects 12, no. 8 (2021): 719. https://doi.org/10.3390/insects12080719

    [3] Portal, Ariane Storch and Caio Mauricio Mendes de Cordova. “Propolis from Meliponinae: A Highway from Ancient Wisdom to the Modern Medicines.”  In Melittology – New Advances, by Muhammad Asif Aziz, 1 – 21 (IntechOpen, 2024). https://www.intechopen.com/chapters/1155880 

    [4] Tomassoni, Teresa. “Countries are starting to give wild animals legal rights. Here’s why.” Washington Post. August 26, 2023. https://www.washingtonpost.com/climate-solutions/2023/08/26/leatherback-turtle-nature-rights-panama/ 

  • Towards a madness without alienation

    Towards a madness without alienation

    Somewhere along the road, I seem to have found comfort in being a foreigner. Moving to a new country with a different language and faces, with different air and water and stars has alleviated most of the mysterious heaviness that I felt since I was eleven (maybe earlier). My own tongue felt like my enemy – always betraying the disarray of my thoughts, how poorly the frame of my mind could hold a picture of the world. And now, in a foreign city, it flows so much more easily in this second language I’m writing in now. With English as my lifeline, and that of all others around me with whom I had to communicate, I finally entered a world where… everyone else stammers too. Pauses a bit long to find words or to structure a thought more accurately. Makes mistakes. The way I know people always do, but somehow always felt worse under an evening college party tent, at the fringes of buzzing adolescent heat, in the city I was born in without a sense of belonging.

    Five years ago, before I moved continents, I came across a passage of Edouard Leve’s Suicide translated into English, and never more in my life felt that words were reading me right back.

    I’ll hold on to this passage for the rest of my days. How perfectly he captures finding comfort in the foreign and strange because, before you ever set foot outside your own hometown, you were already a foreigner right where you were. 

    This was a unique kind of pain that I would only later find fantastically described in Ursula K. LeGuin’s anarchist classic The Dispossessed

    Herein the protagonist Shevek lives in Anarres, an anarchist moon-colony with high social cohesion, a  flexible labor system, egalitarian resource division, no private property or patriarchy, and an overall well-functioning society despite facing material hardships in a resource-poor region. Despite living in this awe-inspiring world, which has almost no social or economic inequality as we know it, Shevek still is pained by the curse of just being inexplicably different:

    Since he was very young he had known that in certain ways he was unlike anyone else he knew. For a child the consciousness of such a difference is very painful, since, having done nothing yet and being incapable of doing anything, he cannot justify it.

    In Shevek’s case, he had an early fascination with physics and spent a lot of his childhood making calculations about physical phenomena, and trying to get others around him to be interested in his ideas. As an interesting aside, rather than being bullied by his peers for his obscure passion, he is bullied by his elders in the style of Anarrestian society. Here’s how his elder shuts him down as a 10-year-old boy, for trying to discuss the Zeno’s paradox during a Speaking-and-Listening session with his peer group:

    “Speech is sharing – a co-operative art. You’re not sharing, merely egoising… You didn’t see that for yourself, it wasn’t spontaneous. I read something very like it in a book.”

    Shevek stared at the director. “What book? Is there one here?”

    The director stood up. He was about twice as tall and three times as heavy as his opponent, and it was clear in his face that he disliked the child intensely; but there was no threat of physical violence in his stance, only an assertion of authority, a little weakened by his irritable response at the child’s odd question.

    “No! And stop egoising! … Speech is a two-way function. Shevek isn’t ready to understand that yet, as most of you are, and so his presence is disruptive to the group. You feel that yourself, don’t you, Shevek? I’d suggest that you find another group working on your level.”

    This shaming is apparently justified as pro-social discipline, to discourage children from self-centered chattering (“egoising”) about topics only interesting to themselves. Shevek does fall in line as he grows up, though he never loses his passion. As a young adult, he goes on to be the most brilliant and prolific physicist in Anarres – except Anarrestians don’t prize solitary, theoretical achievements, so he’s just sort of regarded as a regular member of society with an esoteric special interest. (As he maybe should be, though it’s hard not to sympathize with his struggle to find anyone who cares about his ideas AND isn’t a jealous colleague trying to sabotage him.) 

    Eventually, Shevek becomes so alienated and desperate for acknowledgment of his research that he takes a spaceship to planet Urras, which is basically our Earth. He resigns himself to becoming a pariah on Anarres and lifelong foreigner on Urras, where at least physicists do get lots of recognition, respect, and institutional support. (The disadvantage of living on Earth, Shevek finds, is just about everything else.)

    In LeGuin’s astute vision, there will always be someone left out in a society configured a certain way. And perhaps this can’t be avoided. Even in an ethically considered, planned human collective as Anarres – new people will be born, the world and climate may turn, and needs are going to change. Let alone in the societies we live in now, sustained by division and violent hierarchy, where man is lord, white is king, capital is emperor, firepower is god. 

    There was a solution to this conundrum in The Dispossessed, not to be disingenuous, but I won’t go into that for now. I’m still hung up over the inevitability of irreconcilable difference, through some twist of fate. If it hadn’t happened to me, it’d still be happening to someone else. I have to hope this cavernous loneliness is more common than it seems, yet that too is frightening to contemplate.